This is a sub-page of Nancy Drew: Stay Tuned For Danger/Unused Audio.
Bess Marvin#
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Heh heh, Nancy Drew, detective by day, hacker by night. But after all, someone's life is in danger. Try to see if you can search the report for any detail on Rick Arlen. |
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This speech is split up and still unused amongst the similar files (listed in proper playing order). |
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Heh heh, Nancy Drew, detective by day, hacker by night. But after all, someone's life is in danger. I'd try printing the report for someone who works at the studio. |
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This speech is split up and still unused amongst the similar files (listed in proper playing order). |
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It's one of those combination locks, right? My dad has one of those, and he keeps the combination hidden in his desk drawers. |
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Split up amongst the given similar files as well. |
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Definitely, but be careful; this may very well be the end to your mystery! |
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You'd probably need to find an employee ID number. |
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They're often listed on employee passes. |
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Try to see if you can hear the person's real voice on that bomb tape. |
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Or else, see if you can hear anything else on that tape that would give away the maker's identity. |
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Oh Nancy, you're so near discovering who's behind all of this. Now all you need to find out is who lives near a harbor or a marina. |
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Have you asked Lillian, or maybe Pappas where they might be? |
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See if you can track this guy down. |
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Try looking him up in the personnel files. |
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He may have some important information. |
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Try Lillian's office. She probably has access to the network from there. |
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Try finding one in the administrative areas. |
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Oh, be careful Nancy. It just seems so risky. |
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Just don't blame me if you get caught. |
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Maybe you can get someone else in the building to let you in. |
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Oh, I'm not sure if that's a good thing to do. But if you really must get in there, why don't you use the old "credit card through the door lock" trick? |
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Are you sure you want to do this? Do you have something at hand that you could use to jimmy the door open? |
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See if you can find out more information on him, and then call me back! |
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Find out more information on him. |
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Are you thinking what I'm thinking? That maybe Mattie is trying to scare Rick off so she doesn't have to share the limelight with him? Do you think she'd go that far? |
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You should be safe, as long as the security people are there. Call on them if you need them. |
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I know that after you eliminate whatever doesn't work, you'll figure out this mystery. |
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This message is for Nancy Drew. Please have her call her friend, Bess Marvin. Thank you! P.S., I'm a really big fan of yours and I just wanted to say you're my favorite actress! |
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Hi Nancy, it's Bess! What's up? |
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I've run of ideas. |
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Hi, this is Nancy's friend, Bess? Please have her call me at my home, thanks! |
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Oh no, what happened? |
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Well, better luck next time! I just hope there'll be a next time for Rick! |
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This is Bess. |
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Hello, any new developments on the case? |
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Bess: This is Bess. |
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Bess: This is Bess. |
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George Fayne#
Interesting to note is that two of George's unused files, Geo32a and Geo36b, are entirely empty, consisting solely of the header and four null bytes that are the entirety of its audio data.
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Go to the studio, and find out what's been happening there. Just take a taxicab outside to get there. |
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Nancy! You should search the lost and found area again. There must be something very important in there. |
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Split up amongst the given similar files. |
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Fayne residence. |
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Hey Nancy! What's new on the case? |
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Wow, that sounds pretty intense. Is there anything I can help you out with? |
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You'll probably need to go to the studio to pick it up there. |
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I'm sure you can catch a taxicab outside to take you there. |
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Hm. I would think your studio pass could get you in. |
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That is, when they're not filming. |
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Maybe it'll be needed in an upcoming scene. |
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Try to find a script to see where it's needed. |
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I'd talk to Mattie, and listen to what she has to tell you. She may be giving out clues without even realizing it. |
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I'd talk to some of the people who work at the studio. |
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I'd find as many suspects as possible, and then grill them. |
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I'm sure you've had a long day, it's time to unwind. |
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I'm sure you'll have better luck tomorrow. |
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Well, have you talked to Rick Arlen yet? |
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Check out the scripts to see if they hold any clues. You never know what you'll find, when you read in-between the lines. |
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Keep your eyes open for clues. You'll never know what you'll find, when you read in-between the lines. |
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Bess is home. Why not try giving her a call? |
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Y'know, I bet they changed the lock combinations because of that bomb scare. |
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See if you can find a memo, or maybe a note to Mattie about this. |
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There's got to be a way into the studio at night. Are you sure you can't find a way in? |
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Check out the prop room. I'm sure most of the stuff in there will be handy in your investigations. |
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The key probably opens some piece of stage machinery. |
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Like a trap door control, in the studio! |
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There must be a way to turn the power on for the trap door levers. Have you looked in the control room? |
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Either the levers are stuck, or they're on some kind of power supply. |
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I bet the culprit has lost something that's being kept there. |
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Hello? |
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Hi. This is a message for Nancy Drew to call her friend, George. Thank you! |
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This is George. |
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Ned Nickerson#
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Hello? |
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And then what happened? |
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What about letting me down? |
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I know, I, I know. It's just— I miss you, and I'm worried about you, y'know? |
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I think it's me who's letting you down. Nancy, I love you, but I'm just worried about you. I really miss you, but I know a girl's gotta do what a girl's gotta do. |
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OK. |
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William Pappas#
Only one of Pappas' audio files are of him on the phone:
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Nope, that's confidential. |
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Nancy Drew#
To Bess#
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I finally found that surveillance tape! It looked like a stagehand leaving the studio, and then Dwayne Powers coming in a few minutes later. |
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Given similar files are the split-up version of this audio, all unused. |
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I finally found that surveillance tape! It looked like Owen Spayder leaving the studio, and then Dwayne Powers coming in a few minutes later. |
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Given similar files are the split-up version of this audio, all unused. |
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I found a copy of Mattie's keys in her dressing room. I wonder if one of them opens her desk drawer in her apartment. |
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Given similar files are the split-up version of this audio, all unused. |
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Why does she work in the prop room, if she owns the place? |
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Why doesn't she like Rick? |
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Gosh, that is sad. Hm, but why doesn't she like Rick? |
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Did they ever find the guy? |
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Hi Bess, it's Nancy! |
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You'll never guess what happened! |
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I need some advice. |
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How could I get into Lillian's office? |
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Rick's life is at stake! |
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I know it's wrong, but— |
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Someone's life is at risk! |
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There's a madman loose! |
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That's right! |
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I need to get into Lillian's office at night! |
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I think there's more to her than meets the eye. |
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I got into Lillian's office! |
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I can't get the security log to print! |
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You'll never guess what I found in Lillian's office! |
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A bottle of castor oil. |
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Lillian must've been the one who sent Rick those threats! |
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I found a bottle of castor oil, and the number for a chocolate shop in her drawer. |
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Do you I should confront her with this evidence? |
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What should I do? |
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I heard a sound on the tape. It sounds like a boat horn. |
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Owen Spayder is a stage hand working for the Powers agency. |
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I found this clock hand in the prop room. |
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Millie was hiding it. |
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There's a trap door control box in the studio, but I can't open it. |
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I'm trying to open the trap door, but I can't find the power switch! |
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I think I opened a trap door, but I can't find it. |
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I really need to get into Dwayne's office. |
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I need to find more information on this Owen Spayder guy. |
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Do you think I should sneak into Dwayne's office? |
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Dwayne's office building is locked all of the time. |
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Dwayne's agency is not doing so well. |
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I found all of these outstanding bills. |
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I also found several checks that Mattie wrote to Dwayne. |
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If only I could get into Dwayne's locked file cabinet. |
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I found out that Owen Spayder works as a stage hand. |
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I found out that Owen Spayder worked at the theater where Dwayne, Mattie, and Rick worked a couple of years ago. |
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Mattie's mom is really pressuring her to be the star of the show. |
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I found out that the stationery Mattie uses is also used on some of those letters Rick has been getting. |
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Someone threatened me on the phone! |
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It's the same electronic voice on the bomb tape. |
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Lillian just called me. |
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She wants me to meet her at the studio. |
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I took Mattie's keys; do you think I should open her desk drawer? |
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I found some old letters from her and Rick. They were really in love. |
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Do you think I should go? |
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Bye! |
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I need your help. |
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D'you got a minute? |
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I'm stumped. |
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To George#
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Hi George, it's Nancy. |
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Is Bess back yet? |
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To Ned#
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Guess who! |
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Hi, it's me! |
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Guess what! Mattie helped me land a job as an extra through her agent, Dwayne! I guess he places a lot of actors. |
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It was pretty scary for a minute there. |
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Once I defused the bomb and got out of there, I called the police, and I was stuck at the station for hours. They searched the dressing room and sent the bomb off to the crime lab, but they didn't find anything. Oh, and remind me to thank Chief McGinnis when I get back home. He vouched for me when I asked for a copy of the tape. |
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I wish I could, but I'm in too deep already. |
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That's not fair, Ned! You know I love you, and wouldn't do anything to hurt you. |
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How am I letting you down? |
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Oh, Ned, I've got another call. It's probably the police. I love you, and I promise I'll be careful. Call you later, OK? |
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Ned, you know I can't. I've got to get to the bottom of this. I can't let Mattie and Rick down. |
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To Pappas#
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I was only trying to help. It seemed suspicous that his door was unlocked, and I wanted to see if everything was OK. |
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No, I'm just concerned about Rick's safety. |
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Can I see them sometime? |
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Hello Mr. Pappas, this is Nancy Drew. I hate to bother you, but, can I ask you a couple more questions? |
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In the final game, it's impossible to call Pappas a second time (in fact, he calls you the first and only time), and there's no other way to speak to him. |
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Thank you for your time. |
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