Chart Differences

This is a sub-page of Proto:Shamisen Brothers.

Amairo no kami no otome#

• Overall changes in relation to the prototype
  • The tempo value was originally 115.99; this was increased to 116.00 in the final game.
  • All the notes at measures 15 and 23 are on the middle row rather than the highest one.
  • All the notes at measures 27 and 28 are on the middle row rather than the lowest one.
  • All the notes at measures 29 and 30 are on the highest row rather than the middle one.
  • All the notes at measures 31 and 32 are on the middle row rather than the highest one.
  • The last three notes at measure 34, as well as the first two at measure 35, are on the highest row rather than the middle one.
  • The last three notes at measure 35, as well as the first three at measure 36, are on the middle row rather than the highest one.
  • The last three notes at measure 37, as well as all notes at measure 38, are on the lowest row rather than the middle one.
  • The first note at measure 38 is on the lowest row rather than the highest one.
  • All notes at measure 40 are on the middle row rather than the lowest one.
  • All notes at measure 41 are on the highest row rather than the middle one.
• Single chart changes in relation to the prototype
  • Measure 44's note is placed on the middle row rather than the highest one.

DIAMONDS (Hard/Exam chart)#

• Overall changes in relation to the prototype
  • The third note at measure 21 was shifted from the highest to the middle row.
  • The third and fourth notes at measure 33 were shifted from the lowest to the middle row.
  • The second note at measure 57 was shifted from the highest to the middle row.
• Single chart changes in relation to the prototype
  • The last two notes at measure 17 were shifted from the highest to the middle row.
  • The third and fourth notes at measures 19 and 35 were shifted from the middle to the lowest row.
  • The first three notes at measure 65 were shifted from the highest to the middle row. Likewise, the first three notes at measure 66 were shifted from the middle to the lowest row, with the other arrows being moved from the highest to the middle row as well.
  • The second note at measures 77, 81, and 93 were shifted from the lowest to the middle row.
  • The last notes at measures 89 and 90 were shifted from the lowest to the middle row.
• Couple chart changes in relation to the prototype
  • The fourth note at measure 19 was shifted from the middle row to the lowest.
  • At measure 35, the third and fourth notes on the 1P side, which were originally on the middle row, were shifted to the lowest. The last three notes on the 2P side, the initial two being on the highest row and the last one on the middle row, were also shifted to the lowest row.
  • The last note at measure 63 on the 1P side was shifted from the highest to the middle row.
  • The 1P side notes at measure 65 were shifted from the highest to the middle row. The 2P notes on the same measure were also shifted from the lowest to the middle row.
  • The first three notes at measure 67 were shifted from the middle to the highest row.
  • The 2P note at measure 89 was shifted from the highest to the middle row.
  • The last note on the 1P side at measure 91 was shifted from the lowest to the middle row.

Hakodate#

• Overall changes
  • The notes start earlier in the prototype charts, at measure 3 rather than the end of measure 4. The additional notes are as follows, and apply to both Single and Couple charts:
    Measure 3: High (A4) - beats 0, 0.5, 1.5, 2
    Measure 4: Medium (C#5) - beats 0, 0.5, 1.5, 2
  • A new notes section was added to the final charts, towards the end of measure 8 (beat 2.5), and spans up to measure 10. On the Couple charts, the first two measures are filled on the 1P side, while measure 10 is filled on the 2P side.
  • The first note of measure 11 was shifted from the lowest to the middle row.

Happy Summer Wedding#

• Overall changes in relation to the prototype
  • The tempo value was originally 126.99; this was increased to 127.00 in the final game.
  • There are additional notes at beats 0.25, 0.75, 2.25 and 2.75 of measures 9, 50, and 53.
  • There is an additional note section starting from beat 3 of measure 34, up to measure 35.
  • The first four notes on measure 10 were shifted from the highest to the middle row, and the other two, from the middle to the highest row.
  • The notes on measures 11, 13, 16, 19, 21, 38, 39, 41, and 43 were shifted from the lowest to the middle row.
  • The notes on measures 14 and 22 were shifted from the lowest to the highest row.
  • The notes on measures 15, 17, 36, 37, 40, and 41 were shifted from the middle to the highest row.
  • The fifth and sixth notes at measure 25 were shifted from the highest to the middle row.
  • The final two notes of measure 45 were shifted a row higher.
  • The notes at measure 46 were shifted from the highest to the lowest row.

Hito ni yasashiku#

• Overall changes
  • The prototype's notes start much earlier, at measure 4. The missing notes are as follows:
    m4b2 - Middle (C#4)
    m4b3 - Middle (D#4)
    m5b0 - Middle (C#4)
    m5b1 - Middle (B3)
    m5b2 - Middle (G#3)
    m5b3 - Middle (B3)
    m6b0 - Middle (C#4)
    This same pattern can be found starting from measure 16 beat 2.
  • The last three notes at measure 6 were shifted from the lowest row in the prototype to the highest in the final game.
  • Measure 7's notes were shifted from the lowest row in the prototype to the middle one in the final game.
  • The last three notes at measure 18 were shifted from the lowest row to the middle one in the final game.
  • The notes on the second half of measure 26 were shifted from the highest row in the prototype to the lowest one in the final game.
  • The notes on the first half of measure 27 were shifted from the highest row in the prototype to the middle one in the final game.
  • The notes on the second half of measure 31 were shifted from the lowest row in the prototype to the middle one in the final game.
  • The notes on measure 32 were shifted from the middle (first note)/highest (other two notes) in the prototype to the lowest row in the final game.
  • The first half of measure 34 was shifted from the middle row in the prototype to the highest in the final game.
  • The first note at measure 41 was shifted from the highest row in the prototype to the middle in the final game.
  • There's an additional High (E4) note at the start of measure 42 in the prototype chart.

Look Back Again (Normal chart)#

• The song's BPM value was changed from 143.95 in the prototype to 144.00 in the final game.
• The prototype's Couple chart has three notes on the 2P side of measure 48 which don't have an attached keysound, at beats 2.5, 3, and 3.5. Those were removed in the final chart.

Look Back Again (Hard/Exam chart)#

• Overall changes
  • The song's BPM value was changed from 143.95 in the prototype to 144.00 in the final game.
  • The row placement of the first and third notes on measure 16 was swapped. In the prototype, the first note was in the lowest row in the Single and Couple 1P charts, and highest in the Couple 2P chart, while the third one was in the middle row in all charts.
  • The first note of measures 21 and 24 were shifted from the lowest to the middle row.
  • The first two notes of measure 52 were shifted from the highest row to the middle one.
• Single chart changes in relation to the prototype
  • The first and last notes of measure 23 were shifted from the highest to the middle row.
  • The third note of measure 24 was shifted from the middle to the lowest row.
  • The second note of measure 43 was shifted from the middle row to the highest.
  • The first note of measure 44 was shifted from the lowest to the middle row.
  • The first two notes of measure 48 were shifted from the highest to the middle row.
• Couple chart changes in relation to the prototype
  • The first note on the 2P side of measure 9 was shifted from the lowest row to the highest.
  • The last two notes on the 2P side of measure 14 were shifted from the highest to the lowest row.
  • The first note of measure 23 was shifted from the highest (1P)/lowest (2P) to the middle row. The last 1P note on the same measure was also shifted from the highest to the middle row.
  • The third note of measure 24 was shifted from the middle to the lowest (1P)/highest (2P) row.
  • The first note of measure 35 was shifted from the lowest to the middle row.
  • The first two 1P notes of measure 43 were shifted from the highest and lowest rows, respectively, to the middle row. The second 2P note of that same measure was also shifted from the highest to the middle row.

LOVE machine#

• Overall changes
  • The final game's charts start earlier than the prototype's, at measure 11.
  • The prototype lacks note sections at measures 19, 53, and 54.
  • The last two notes on measures 45, 49, 55, and 59 were moved from the lowest row in the prototype to the middle one in the final game.
  • Measures 46, 48, and 50 have additional note sections in the final chart. These are also filled on the 2P Couple chart.
  • The first five notes on measures 47 and 57 were moved from the highest row in the prototype to the middle one in the final game.
  • Measures 56, 58, and 60 have additional note sections in the final chart. These are also filled on the 1P Couple chart.

Shamisen Brothers Main Theme (Very Easy/Easy/Normal Chart)#

Chart: main.mux

• Overall changes
  • The song's BPM value was changed from 119.99 in the prototype to 120.00 in the final game.
  • The notes on measures 5, 6, 9, 10, 15, 19, 25, and 40 were shifted from the highest row in the prototype to the middle one in the final game. Likewise, the notes on measures 7 and 8 were shifted from the middle to the lowest row.
  • The notes on measures 18 and 22, which were originally on the middle row, were shifted to the lowest row.
  • The keysound of the third note of measure 28 was changed from F4 to F#4.
  • Measure 40 has several added notes in the final game, placed at beats 0.25 and 0.75. The keysound layout from beats 0 to 1 is different as well. For the notation below, the Single chart is considered:
    V1.00K: E4 / -- / D4 / -- / B3
    V1.01K: E4 / F#4 / E4 / D4 / B3
  • The notes at measure 44 were shifted from the middle (first 3)/highest (last 1) row in the prototype to the lowest row in the final game.
  • The note on measure 46 was shifted from the lowest row in the prototype to the middle one in the final game.
• Single chart changes in relation to the prototype
  • The notes on measure 47 were shifted from the lowest to the highest row.

Shamisen Brothers Main Theme (Hard/Exam Chart)#

• Overall changes
  • The song's BPM value was changed from 119.99 in the prototype to 120.00 in the final game.
  • The notes on the latter half of measures 5, 9, 15, and 19 were shifted from the middle row in the prototype to the highest row in the final game.
  • The notes on measures 6, 12, and 16, on the latter half of measures 7 and 13, the first five notes on measures 10 and 20, and the first two notes on measure 22, were shifted from the lowest row in the prototype to the middle row in the final game.
  • The notes on measures 8 and 18 were shifted from the middle row in the prototype to the lowest row.
  • The notes on measures 11 and 21, which are placed on the highest (first half) and middle (second half) rows in the prototype, were shifted to the lowest row in the final game.
  • The first three notes of measures 21 and 25 were moved from the middle row in the prototype to the highest row in the final game. The last two notes on those same measures were also moved from the highest to the middle row.
  • The fifth note at measures 27 and 31 had its keysound changed from F#5 to F5.
  • The third and seventh notes at measure 37 were shifted from the highest row in the prototype to the middle one.
  • The notes at measure 38 were shifted from the highest row (last note)/middle row (all others) in the prototype to the lowest one in the final game.
  • The first five notes at measure 39 were shifted from the middle row in the prototype to the lowest one in the final game.
  • The notes at measure 40 and 46 were shifted from the lowest row in the prototype to the middle one in the final game.
  • The first three notes at measure 43 were shifted from the middle row in the prototype to the lowest one in the final game.
  • The notes at measure 44 were shifted from the highest row in the prototype to the middle one in the final game.
  • The notes at measure 45 were shifted from the middle row in the prototype to the lowest one (last note)/highest one (all others) in the final game.
• Single chart changes in relation to the prototype
  • The notes on measure 47 were shifted from the middle row to the highest.

Naniwabushi da yo jinsei wa#

• Overall changes in relation to the prototype
  • The notes at measure 15 were shifted from the highest row to the lowest one.
  • The notes at measures 18, 20, 21, 29, and 31, as well as the last two notes at measure 28, were shifted from the highest row to the middle one.
  • The notes at measure 19 were shifted from the middle row to the lowest one.
  • There are two additional notes at measure 25 in the prototype, placed at beats 2.25 and 2.5.
  • The notes at measure 26 were shifted from the middle row to the highest one.
  • The first four notes at measure 30 were shifted from the highest row to the lowest one.
  • The first three notes at measure 36 were shifted from the lowest row to the middle one.
  • The notes at measure 39 were shifted from the lowest to the highest row.
• Single chart changes in relation to the prototype
  • The third note at measure 9 was shifted from the lowest row to the middle one.

Odoru ponpokolin#

• Overall changes in relation to the prototype
  • From measure 9 through measure 20, all notes' keysounds are shifted an octave higher.
  • All notes from the last note of measure 10 through measure 12 were shifted from the lowest row to the highest one.
  • All notes from the last note of measure 16 through measure 17 were shifted from the highest row to the middle one.
  • The first five notes at measure 18 were shifted from the middle row to the highest one.
  • All notes in measure 21 were shifted from the highest row to the lowest one.
  • All notes in measure 22 were shifted from the middle row to the lowest one.
  • All notes in measure 24 were shifted from the lowest row to the middle one.
  • All notes in measures 25, 27, 29, 33 and 35, as well as the first four notes on measure 37, had their keysounds shifted an octave higher.
  • All notes in measures 25, 27, and 29 were shifted from the middle row to the highest one.
  • All notes in measures 26, 28, 30, and 31 were shifted from the lowest row to the middle one.
  • All notes in measure 32 were shifted from the highest row to the lowest one.
  • All notes in measures 34 and 36 were shifted from the lowest row to the highest one.
  • The final chart has three additional notes at measure 41 beats 3.5 and 3.75, and measure 42 beat 0. They are placed on the highest row, and have the keysound E4 on the Single and Couple P2 charts, and E5 on the Couple P1 chart.
• Single chart changes in relation to the prototype
  • The notes at measures 8, 21, and 22 were shifted an octave higher.

SAKURA drops#

• Overall changes in relation to the prototype
  • The chart's BPM was changed from 85.98 to 86.00.
• Couple chart changes in relation to the prototype
  • The second half of measure 9 and the first half of measure 10 are only filled in the 1P side.
  • The second half of measure 10 and the first half of measure 11 are only filled in the 2P side.
  • Measure 18 is only filled on the 2P side.
  • Measure 33 has a "ghost" note on the 2P side in the prototype, at beat 3. This was corrected in the final game, in which this note is placed on the middle row.

SAKURA drops (Hard/Exam chart)#

• Overall changes in relation to the prototype
  • The chart's BPM was changed from 85.98 to 86.00.
  • The fourth note at measures 5, 29, and 33 were shifted from the middle to the highest row.
  • The fourth note at measures 6, 30, and 34 were shifted from the lowest to the middle row.
  • The last note at measures 13 and 23 were shifted from the middle to the highest row.
  • The last two notes at measure 22 were shifted from the lowest to the middle row.
  • The fifth note at measure 33 was shifted from the middle to the highest row.
• Single chart changes in relation to the prototype
  • The fourth and fifth notes at measure 13 were shifted from the middle to the highest row.
  • The first four notes at measure 14 were shifted from the lowest to the highest row.
  • The third note at measure 17, as well as the second and third notes at measures 18 and 19, were moved from the highest to the middle row.
  • The fifth note at measure 34 was shifted from the lowest to the middle row.
  • The third note at measure 36 was moved from the middle row to the highest one.
• Couple chart changes in relation to the prototype
  • The positions of the first four notes at measure 14 were swapped between the 1P and 2P sides.
  • The last two notes at measure 17 were moved from the middle row to the highest one.
  • The last two notes at measure 32 were moved from the middle (1P side)/highest (2P side) row to the lowest.
  • The positions of the fifth note at measure 34 were swapped between sides.
  • The second 1P note at measure 36 was moved from the highest row to the middle one.

Tenshi no wink (Hard/Exam chart)#

• Overall changes in relation to the prototype
  • The first note at measure 9 was shifted from the lowest to the middle row.
• Single chart changes in relation to the prototype'
  • The last note of measures 26, 30, and 36 were shifted from the lowest to the middle row.
• Couple chart changes in relation to the prototype
  • The first note at measure 13 was shifted from the lowest to the middle row.
  • The fourth note at measure 15 was shifted from the lowest to the highest row.
  • The last note at measure 19 was shifted from the middle to the highest row.
  • The first note at measure 23 was shifted from the highest to the middle row.
  • The last note of measure 26 was shifted a row upward from the lowest (1P)/middle (2P) rows.
  • Both 2P notes at measure 27 had their position order swapped; originally, they were at the middle and highest rows.
  • The last note of measure 30 was shifted from the lowest (1P)/highest (2P) rows to the middle one.
  • The first 1P note at measure 34 was shifted from the highest to the middle row.
  • The third note at measure 35 was shifted from the lowest to the middle row.
  • The last note of measure 36 was shifted from the highest (1P)/lowest (2P) rows to the middle one.

VALENTI#

• Overall changes in relation to the prototype
  • The chart's BPM was changed from 103.95 to 104.00.
• Couple chart changes
  • At measure 29, the prototype chart has four notes with no attached keysounds; the first two notes on the 2P side, and the last two notes on the 1P side. The final game corrects this by assigning them the same keysounds as the notes on the opposite sides.

VALENTI (Hard/Exam chart)#

• Overall chart changes in relation to the prototype
  • The last three notes at measure 13 were shifted from the highest row to the middle one.
  • The fourth note at measure 21 was shifted from the highest row to the middle one.
  • The row positions of the third and sixth notes at measure 24, which were originally lowest and middle row, respectively, were swapped.
  • The last two notes at measure 28 were moved from the middle to the lowest row.
  • The last note at measures 31 and 35 were shifted from the lowest to the middle row.
  • The last note at measure 36 was shifted from the highest to the middle row.
• Single chart changes in relation to the prototype
  • The seventh to ninth notes at measure 11 were shifted from the middle row to the lowest, while the last note was moved from the highest row to the lowest one as well.
  • The first to sixth notes at measure 14 were moved from the middle row to the highest.
  • The first to sixth notes at measure 15 were moved from the lowest row to the middle one.
  • The first three notes at measure 17 were moved from the lowest row to the highest one. The last note on the same measure was shifted from the highest to the middle row.
  • The fourth to seventh notes were shifted from the lowest to the middle row.
  • The row positions of the last two notes at measure 34, which were originally lowest and middle row, respectively, were swapped.
• Couple chart changes in relation to the prototype
  • The first to sixth 1P notes at measure 11 were shifted from the lowest row to the middle one.
  • The seventh to ninth 2P notes at measure 11 were shifted from the highest row to the middle one, while the last note was moved from the middle row to the highest.
  • The last three 2P notes at measure 14 were moved from the highest row to the middle one.
  • The seventh to ninth notes at measure 15 were moved from the middle row to the lowest, while the last note was shifted from the highest row to the middle one.
  • The third note at measure 23 was moved from the middle row to the lowest, while the fourth was moved from the highest row to the middle one.